FESTIVAL AFTERMOVIE PRODUCTION · WORLDWIDE

CONTENT THAT SELLS THE NEXT EDITION.

Aftermovies, social-first festival content, daily edits and sponsor films built to turn one weekend into months of attention and demand.

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DISCUSS YOUR FESTIVAL

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DISCUSS YOUR FESTIVAL

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WATCH SHOWREEL

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WATCH SHOWREEL

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SELL THE FEELING. SELL THE TICKET.

15+ YEARS LIVE PRODUCTION · FOUNDER-LED · WORKING WORLDWIDE

SELECTED FESTIVAL WORK

MAKE THEM WISH THEY WERE THERE.

WATCH SHOWREEL

SOUND RECOMMENDED

THE BUSINESS OF HYPE

THE FESTIVAL ENDS. THE SELLING DOESN'T.

One weekend creates the energy. The content has to keep selling it.

01 — SELL THE NEXT TICKET.

Turn real crowd energy, artist moments and atmosphere into campaign material for presale, on-sale and the next edition.

02 — ONE WEEKEND. MONTHS OF CONTENT.

Plan aftermovie, vertical, artist and campaign assets as one production system.

03 — STAY RELEVANT BETWEEN EDITIONS.

Keep the festival alive in feeds long after the gates close.

04 — MAKE SPONSORS WANT BACK IN.

Give partners content that proves attention, interaction and cultural relevance.

DON'T JUST FILM THE CROWD. SELL THE NEXT ONE.

The job was never simply to document Ikarus. Across multiple editions, the content had to make different audiences want to be there — before, during and after the festival. From presale trailers to daily Reels and the final aftermovie, every format had a different job in the campaign.

Presale films, daily content and aftermovies used across multiple sold-out editions.

IKARUS FESTIVAL · MULTIPLE EDITIONS

PRESALE TRAILER · DAILY REELS

PRESALE TRAILER · DAILY REELS

AFTERMOVIE · DRONE · SOCIAL CUTS

AFTERMOVIE · DRONE · SOCIAL CUTS

BUILD DESIRE ACROSS THE CONTENT AND TICKET CYCLE

BUILD DESIRE ACROSS THE CONTENT AND TICKET CYCLE

ONE FESTIVAL. A CONTENT ENGINE FOR THE NEXT ONE.

BEFORE THE FESTIVAL · DURING · AFTER · BEFORE THE NEXT EDITION

THE CREW BEHIND THE CONTENT

THIS DOESN’T HAPPEN BY ACCIDENT.

Strong festival content starts long before the edit. It takes a crew that understands live pressure, timing, artists, stages, crowds and the moments you only get once. We do not show up to collect footage. We build the material the campaign needs next. LIVE PRESSURE. FAST DECISIONS. FOOTAGE WITH A JOB TO DO.

15+ YEARS AROUND LIVE EVENTS.

FOUNDER-LED PRODUCTION

I’m Johannes, founder of Odelia Films and Aftermovie Production.

Live events do not give you a second take.

After more than 15 years around production and live environments, I know how much of the job happens before the camera starts recording: understanding the schedule, anticipating the moments that matter and building a team that can operate when the plan changes.

The footage still has one final test: What does it do afterwards? Sell the next ticket? Feed social? Give a sponsor something worth using? Keep the festival alive between editions? You speak directly with me in the first conversation, and I stay involved throughout the project.

DIRECT FOUNDER CONTACT · WORLDWIDE PRODUCTION

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YOGA JUNKIES FESTIVAL

“He guided us every step of the way and created a fantastic aftermovie that became one of our most valuable marketing assets for the next two years.”

TYLER WISNIEWSKI · FOUNDER, YOGA JUNKIES FESTIVAL

THE CONTENT MACHINE

ONE FESTIVAL. EVERY FORMAT THAT SELLS WHAT’S NEXT.

The aftermovie is the hero. Everything around it keeps the campaign moving.

HERO AFTERMOVIE

The film that turns the festival into something the next audience wants to experience.

HERO AFTERMOVIE

The film that turns the festival into something the next audience wants to experience.

VERTICAL REELS

9:16-first content for Reels, TikTok and Shorts — planned vertically before the camera rolls.

VERTICAL REELS

9:16-first content for Reels, TikTok and Shorts — planned vertically before the camera rolls.

DAILY / SAME-DAY CONTENT

Fast edits while attention around the festival is still at its highest.

DAILY / SAME-DAY CONTENT

Fast edits while attention around the festival is still at its highest.

PRESALE FILMS

Content built for announcements, ticket launches and campaign pushes.

PRESALE FILMS

Content built for announcements, ticket launches and campaign pushes.

SOCIAL CUTDOWNS

Shorter edits that keep the campaign supplied after the hero film goes live.

SOCIAL CUTDOWNS

Shorter edits that keep the campaign supplied after the hero film goes live.

ARTIST CONTENT

Performance and artist-led moments with a genuine reason to be shared.

ARTIST CONTENT

Performance and artist-led moments with a genuine reason to be shared.

SPONSOR / BRAND CONTENT

Activation films, branded cuts, product moments and audience interaction designed to extend partner value beyond the weekend.

SPONSOR / BRAND CONTENT

Activation films, branded cuts, product moments and audience interaction designed to extend partner value beyond the weekend.

THE CAMERA CREW IS ONLY THE START. THE OUTPUT IS THE PRODUCT.

SOCIAL-FIRST PRODUCTION

VERTICAL ISN’T A CROP. IT’S A FORMAT.

If the destination is Reels, TikTok or Shorts, the format starts before we press record.

Framing, movement, composition and pacing are planned for 9:16 from the beginning — not rescued from a horizontal master later.

9:16 REELS · ARTIST MOMENTS · CROWD ENERGY · SOCIAL CUTS

SHOOT FOR THE PLATFORM. NOT AROUND IT.

NEXT EDITION?

WANT THE NEXT ONE TO FEEL IMPOSSIBLE TO MISS?

Tell us what is coming. We’ll build the content around the campaign.

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DISCUSS YOUR FESTIVAL

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PREFER WHATSAPP?

MESSAGE JOHANNES →

SEND PROJECT DETAILS

ECHELON · EDITORIAL STORYTELLING

DAY TWO WAS CANCELLED. THE STORY WASN'T.

CONTEXT — When severe weather forced the second festival day to be cancelled, pretending the weekend had gone to plan would have missed the real story.

APPROACH — The disappointment became part of the film. Artist reactions, community emotion and what the festival meant to the people around it became part of the narrative instead of something to hide.

VALUE — Protect the emotional connection between festival and community even when the weekend does not go as planned. The following edition sold out.

WHEN REALITY CHANGES, THE STORY HAS TO CHANGE WITH IT.

CONTACT FESTIVAL · HARD INDOOR TECHNO

HARD TECHNO NEEDS A DIFFERENT CAMERA LANGUAGE.

Dark rooms, strobes, lasers, haze, crowd density, fast movement, extreme contrast and artificial light demand a different production approach from a daylight open-air festival.

PRODUCTION — AFTERMOVIE · CROWD · ARTISTS · ATMOSPHERE

We build the camera language around hard techno: movement, exposure and edit rhythm designed for the room. Dark rooms. Fast light. No second takes.

FESTIVALS × BRANDS

LOGO TIME ISN’T VALUE. ATTENTION IS.

A sponsor is not paying to disappear somewhere in the background of an aftermovie. They are paying for attention, association and content that keeps working after the festival.

FOR FESTIVALS — MAKE THE PARTNERSHIP WORTH MORE.

Give partners more than physical visibility on site. Capture the activation, audience response and cultural moments that make the partnership useful for social, reporting and future sponsorship conversations.

FOR BRANDS — TURN THE CROWD INTO THE CAMPAIGN.

Real people. Real reactions. Real culture. A festival gives brands something no studio can manufacture.

ACTIVATION REELS · BRANDED SOCIAL CUTS · CROWD INTERACTION · PRODUCT MOMENTS · PARTNER RECAPS

DISCUSS A BRAND ACTIVATION

HOW WE WORK ON SITE

YOU RUN THE FESTIVAL. WE RUN THE PRODUCTION.

Before the gates open, we work closely with your team. Once the festival is live, the crew should know where to be, what matters and when the plan has to change.

01 — PLAN THE MOMENTS

Stages, artists, activations, schedules, access, people and content priorities are mapped before production.

02 — SCALE THE CREW

The team follows the production need — not a fixed package.

03 — ADAPT LIVE

Schedules change. Weather changes. Moments happen outside the run sheet. The production moves with them.

04 — RUN POST IN PARALLEL

When daily or same-day content matters, editing starts while the festival is still running.

CLOSE COLLABORATION BEFORE DOORS OPEN. INDEPENDENT EXECUTION ONCE THEY DO.

FROM BRIEF TO DELIVERY

CLEAR BEFORE. FAST WHEN IT MATTERS.

01.

FIRST CALL

Festival, goals, date, location, campaign and required outputs.

01.

FIRST CALL

Festival, goals, date, location, campaign and required outputs.

02.

PROPOSAL

A concrete production proposal — usually within 24–48 hours once the necessary project context is clear.

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PROPOSAL

A concrete production proposal — usually within 24–48 hours once the necessary project context is clear.

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CONTENT PLAN

Formats, key moments, artists, sponsors, schedules, crew and delivery priorities.

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CONTENT PLAN

Formats, key moments, artists, sponsors, schedules, crew and delivery priorities.

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PRODUCTION

The crew works inside the live festival environment and adapts as reality changes.

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PRODUCTION

The crew works inside the live festival environment and adapts as reality changes.

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POST & DELIVERY

Aftermovie, Reels, daily edits and agreed campaign assets are produced for the planned channels and deadlines.

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POST & DELIVERY

Aftermovie, Reels, daily edits and agreed campaign assets are produced for the planned channels and deadlines.

FESTIVAL PRODUCTION. ANSWERS UP FRONT.

HOW MUCH DOES FESTIVAL AFTERMOVIE PRODUCTION COST?

HOW EARLY SHOULD WE BOOK?

CAN YOU PRODUCE 16:9 AND 9:16 AT THE SAME FESTIVAL?

CAN YOU DELIVER SAME-DAY OR DAILY CONTENT?

DO YOU WORK WORLDWIDE?

HOW LARGE IS THE CREW?

CAN YOU WORK WITH OUR AGENCY OR SOCIAL TEAM?

DO YOU PRODUCE SPONSOR CONTENT?

WHAT HAPPENS IF WEATHER OR THE RUNNING ORDER CHANGES?

HOW FAST IS THE FINAL AFTERMOVIE DELIVERED?

WHAT ABOUT MUSIC AND USAGE RIGHTS?

WHAT DO YOU NEED FOR THE FIRST CALL?

LET'S TALK

MAKE THEM WISH THEY ALREADY HAD A TICKET.

For the first conversation, your festival, date, location and a few goals are enough. We’ll discuss the campaign, useful formats and the right production scope together. You speak directly with Johannes.

30–45 MIN · DIRECT WITH JOHANNES · NO FINISHED BRIEF REQUIRED · PROPOSAL USUALLY WITHIN 24–48H

NO SUITABLE TIME? SEND PROJECT DETAILS

CHOOSE A TIME

PREFER WHATSAPP?

MESSAGE JOHANNES →

PREFER TO WRITE?

SEND THE BASICS. WE’LL TAKE IT FROM THERE.

You do not need a finished production brief.

A few details are enough to understand the festival and come back with the right questions.

YOUR PRIVACY. YOUR CHOICE.

MAKE THEM WISH THEY WERE THERE.

MAKE THEM WISH THEY WERE THERE.

MAKE THEM WISH THEY WERE THERE.

THE FESTIVAL ENDS. THE SELLING DOESN'T.

THE FESTIVAL ENDS. THE SELLING DOESN'T.

01 — SELL THE NEXT TICKET.

01 — SELL THE NEXT TICKET.

02 — ONE WEEKEND. MONTHS OF CONTENT.

03 — STAY RELEVANT BETWEEN EDITIONS.

03 — STAY RELEVANT BETWEEN EDITIONS.

04 — MAKE SPONSORS WANT BACK IN.

04 — MAKE SPONSORS WANT BACK IN.

DON'T JUST FILM THE CROWD. SELL THE NEXT ONE.

DON'T JUST FILM THE CROWD. SELL THE NEXT ONE.

THIS DOESN’T HAPPEN BY ACCIDENT.

THIS DOESN’T HAPPEN BY ACCIDENT.

15+ YEARS AROUND LIVE EVENTS.

15+ YEARS AROUND LIVE EVENTS.

ONE FESTIVAL. EVERY FORMAT THAT SELLS WHAT’S NEXT.

ONE FESTIVAL. EVERY FORMAT THAT SELLS WHAT’S NEXT.

VERTICAL ISN’T A CROP. IT’S A FORMAT.

VERTICAL ISN’T A CROP. IT’S A FORMAT.

VERTICAL ISN’T A CROP. IT’S A FORMAT.

WANT THE NEXT ONE TO FEEL IMPOSSIBLE TO MISS?

WANT THE NEXT ONE TO FEEL IMPOSSIBLE TO MISS?

WANT THE NEXT ONE TO FEEL IMPOSSIBLE TO MISS?

DAY TWO WAS CANCELLED. THE STORY WASN'T.

DAY TWO WAS CANCELLED. THE STORY WASN'T.

HARD TECHNO NEEDS A DIFFERENT CAMERA LANGUAGE.

HARD TECHNO NEEDS A DIFFERENT CAMERA LANGUAGE.

LOGO TIME ISN’T VALUE. ATTENTION IS.

LOGO TIME ISN’T VALUE. ATTENTION IS.

FOR FESTIVALS — MAKE THE PARTNERSHIP WORTH MORE.

FOR FESTIVALS — MAKE THE PARTNERSHIP WORTH MORE.

FOR BRANDS — TURN THE CROWD INTO THE CAMPAIGN.

YOU RUN THE FESTIVAL. WE RUN THE PRODUCTION.

YOU RUN THE FESTIVAL. WE RUN THE PRODUCTION.

01 — PLAN THE MOMENTS

01 — PLAN THE MOMENTS

02 — SCALE THE CREW

03 — ADAPT LIVE

03 — ADAPT LIVE

04 — RUN POST IN PARALLEL

04 — RUN POST IN PARALLEL

CLEAR BEFORE. FAST WHEN IT MATTERS.

CLEAR BEFORE. FAST WHEN IT MATTERS.

FESTIVAL PRODUCTION. ANSWERS UP FRONT.

FESTIVAL PRODUCTION. ANSWERS UP FRONT.

MAKE THEM WISH THEY ALREADY HAD A TICKET.

MAKE THEM WISH THEY ALREADY HAD A TICKET.

MAKE THEM WISH THEY ALREADY HAD A TICKET.

SEND THE BASICS. WE’LL TAKE IT FROM THERE.

SEND THE BASICS. WE’LL TAKE IT FROM THERE.